‘A Journal for Jordan’ Review: Michael B. Jordan and Chanté Adams Shine in Denzel Washington’s True-Life Heart-Tugger

The new movie is based on a memoir by the former New York Times reporter Dana Canedy, and in terms that are romantically glowing but not cloyingly starry-eyed, it tells the story of Canedy — ambitious, vivacious, emotionally solitary — and First Sergeant Charles Monroe King, the upright military man she met, fell in love with, and came out of her brainy shell to be with. It’s the fourth feature directed by Denzel Washington, and unlike his last one, the epic and lacerating "Fences" (2016), this one takes us back to the life-affirming feel-good middlebrow sincerity of his first two films as a director, "Antwone Fisher" (2002) and "The Great Debaters" (2007).
Dana and Charles have a long-distance relationship, and when he first visits her, we grin at how quickly the taking-it-slowly thing falls away, and at how anguished he feels in the suave suit she wants to buy him. She has opened a door — for herself, and for others — that she feels she can’t let shut. Jordan makes Charles a rock-solid presence, but the film takes its zigs and zags from how Chanté Adams plays Dana as affectionate yet demanding, to the point that it chafes at Charles. (He’s so used to his scruffy sneakers and baggy Army duds that he thinks he looks like an accountant.) She lives in New York, where she’s one of the few Black reporters on the Times and therefore feels incredible pressure attached to everything she does.
It leaps ahead to when Dana is a single mother, with a son, Jordan, played by the intensely compelling Jalon Christian, who holds the camera with his delicate intelligence. This is the kind of unvarnished prosaic heart-tugger that used to be thought of as an Oscar movie, and no longer is — though the hope, I suspect, is that it’s now a so-old-it’s-new-again kind of Oscar movie. No doubt. The cataclysm of 9/11 changes everything for Dana and Charles, but the film doesn’t just culminate in what happens to him in combat. Washington, working from a script by Virgil Williams ("Mudbound"), stages "A Journal for Jordan" in big broad direct strokes. Is this a corny device? Does it work? That you likely won’t resist it is a testament to Washington’s plainspoken conventional embrace as a filmmaker.” /> The film’s title refers to the journal of thoughts and messages that Charles, on active duty, began to write to Jordan, after he’d come home and met his infant son.
But this will continue to happen. What she’s fighting isn’t some sleazy side of Charles; it’s his very commitment, which she regards as noble but, in this case, misplaced. And she's right. Early on, when they’re in separate cities and Dana is expecting to hear from Charles, he never calls, and he offers what sounds like a reasonable excuse: One of his soldiers had a baby, there were complications, he felt he needed to be there. But the cultural differences between them don’t just cutely melt away. But that devotion to his soldiers sticks in Dana’s craw. She lets us know why it tears Dana apart. She’s furious ­— and Adams doesn’t play this as a rote scripted tantrum. What makes "A Journal for Jordan" more just than a holiday-movie schmaltz soufflé is that these two are in love, but in some ways they're incompatible; that's part of the film's honesty.
Or, rather, it’s a movie that looks at tragedy — at sacrifice — through a lens that’s both sentimental and stirring. Jordan, who is a movie star to his bones (and a whale of an actor himself), the doom quickly recedes. Yet "A Journal for Jordan," which opens on Christmas Day, is not a tragedy. "A Journal for Jordan" dives into the drama of two people falling in love: the hope and the beauty, the bumps in the road that nearly derail the relationship, the emotional anchor that holds it together, and the thing we’re left with on the other side — the feeling of a life having been lived. And since Dana is played by Chanté Adams, the brilliant actor from "Roxanne Roxanne" and "The Photograph," and King is played by Michael B.
He’s divorced, with a 9-year-old daughter who lives with her mother in Texas. It’s not only his bearing that’s military, or his physique (I’d be derelict if I didn’t report that at the preview showing I attended, when Charles entered a bedroom wearing a sleeveless T-shirt, the audience screamed). His smile is as chiseled as his muscles; he invests Charles with a deliberation that suggests everything he’s not saying. Jordan, in movies like "Black Panther" and "Creed," has been an explosive presence, but here he reins himself in and is still magnetic. Some of the most revealing things about Charles are the ones he’s sly about, like his old-school music tastes (driving in the car with Dana, he plays "Sadie" by the Spinners) or the fact that he doesn’t come with a perfect romantic track record. Jordan, in this role, has the self-possessed calm of someone who’s past proving himself.
By that I don’t mean a Republican impulse. I have no idea where Denzel Washington stands politically, but he described himself in a recent interview as "a God-fearing man," and "A Journal for Jordan" is a fascinating Hollywood movie to confront at this moment because it feels animated, in some ways, by a conservative impulse. I mean that Washington, in making a buttoned-down, aw-shucks-ma’am military lifer his romantic hero, portrays the kind of character we wouldn’t be surprised to see at the center of a Clint Eastwood movie, but one who’s less common in many of the products of liberal Hollywood.
Since the two characters meet in the late '90s, we can make a pretty good guess as to what war that will happen in. It is shadowed, however, by a sense of doom, since in the opening minutes of the film we learn that King was killed in action. It’s a happy story, if not without a tangle or two.
In a year-end movie landscape marked, on the one hand, by a stream of prestige adult dramas that struggle more than ever to find actual adults to see them, and on the other hand by the kind of oversize fantasy event films ("Spider-Man: No Way Home," the upcoming "The Matrix Resurrections") whose job it now is to keep the industry alive, "A Journal for Jordan" feels like an odd movie out more than it might have, say, 20 years ago. Back in the 1980s, it would have been right down the middle of the plate. Today, it seems like a film out of time. But that's not necessarily a bad thing.
So she’s definitely not straying far from the tree — and given that her father was an adulterer who she now looks at askance, that may be a fraught choice. Dana first encounters him at her parents’ home. But chemistry is chemistry, and these two actors have it. Her dad (Robert Wisdom) is a retired Army sergeant, and Charles was one of his men.

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