Reprising their popular roles are Dove Cameron as Mal, Sofia Carson as Evie, Booboo Stewart as Jay, Mitchell Hope as Ben, Sarah Jeffery as Audrey, Melanie Paxson as Fairy Godmother, China Anne McClain as Uma, Jedidiah Goodacre as Chad, Anna Cathcart as Dizzy, Dan Payne as Beast, Bobby Moynihan as Dude the Dog and Cheyenne Jackson as Hades. Based on the "Descendants" franchise, the special will bring viewers back to the United States of Auradon and feature Mal and King Ben's royal wedding.
Disney Channel has announced that the animated special "Descendants: The Royal Wedding" will premiere on the network this summer.
"Descendants: The Royal Wedding" is based on the "Descendants" movies by Sara Parriott & Josann McGibbon. Produced by Le Cube, Salvador Simó is set to direct.” />
Gary Marsh, president and chief creative officer of Disney branded television, said that the "Descendents" has become one of Disney Channel's biggest entertainment franchises in the past six years.
"It had the benefit of immensely talented stars, who we now welcome back for this animated 'Royal Wedding' special that will bridge the audience to what we hope will be a new chapter of compelling 'Descendants' stories and characters yet to come," Marsh said in a statement.
The late Cameron Boyce was one of the main cast members in the "Descendants" franchise, playing Carlos, the son of Cruella de Vil. The absence of Carlos' character will be acknowledged in the storyline and Boyce's memory will be honored in the telecast. He later reprised the character for the animated shorts "Descendants: Wicked World" and later on in the sequels "Descendants 2" and "Descendants 3." On July 6, 2019, the 20-year old actor passed away in his sleep after suffering a seizure at his home in North Hollywood.

While the cast was being finalized, Barsocchini, Ortega and executives at Disney were refining the screenplay. The closest thing to scandal is when the over-the-top drama teacher Mrs. The first only offers up an innocent peck on the cheek. The only dirt that Sharpay, the film's "ice princess" villain, could dig up on Gabriella is that she's too smart. "High School Musical" may not have worked without its squeaky-clean storyline, bordering on saccharine-sweet to avoid polarizing any family audiences. In other words, "High School Musical" earns its G-rating. Darbus (Alyson Reed) stomps through the sweaty gym locker room. "An Einstein-ette," Ryan offers in the film. In true Disney fashion, the two central lovers don't even kiss until the end of the sequel.
If that plot sounds vaguely familiar, it's because "High School Musical" plays like a lovingly kitschy mashup of "Romeo and Juliet" and "Grease." Peter Barsocchini, the film's screenwriter, admits to borrowing the concept of star-crossed lovers (in the world of East High, the jocks vs. "You rip off Shakespeare." "We did what everyone does when you need an idea," Barsocchini says with a laugh. the math geeks replaced the feuding Capulets and Montagues).
"When the movie aired, we went to this carnival over the weekend, and I was mobbed. There's nothing to prepare you for that kind of onslaught." Grabeel never returned to his job at Blockbuster. "At the time I was working on another TV show," Bleu says. Overnight, everything completely changed. I never experienced anything like it in my life.
And then it kept growing," Marsh says. Disney Channel capitalized on the momentum with sing-along and dance-along screenings week after week. "We didn't know it would land with this kind of a thunderclap. All of the songs on the soundtrack charted, unheard of for a TV movie soundtrack.
From day one, the vision was clear. "In our very first meeting," Hart recalls, "Kenny said: 'This has the potential to be this generation's 'Grease.' He really wanted people who had strong singing, acting and dancing qualities." The casting process took around two months, a time in which Hart estimates they "saw the world." Some were eliminated immediately because they couldn't sing. Others, like Zac Efron, Drew Seeley, and Hunter Parrish, moved to the top of the pack as potential Troys.
After all, this was before the days where you could tell something was popular because the hunky lead gained several million Instagram followers overnight. There was a sense on set that the cast and crew were creating something special, but wasn't until the film aired on Disney Channel that the young stars understood how drastically their lives would alter.
They recognized Vanessa Hudgens from a sci-fi movie "Thunderbirds" and were familiar with Ashley Tisdale from her breakout role on Disney Channel's show "The Suite Life of Zack and Cody." Hart and La Padura had previously cast Efron, then 18, in the WB teen drama "Summerland" and brought him in after learning he could carry a tune.
How are we going to play this?" Ortega liked Grabeel's energy but suggested he'd be better suited for Sharpay's theater-loving brother Ryan. Grabeel remembers asking Ortega, "Is Ryan gay? The part of Troy's best friend Chad went to Corbin Bleu, who originally auditioned for Ryan. Meanwhile the 20-year-old Lucas Grabeel, who previously starred in the Disney Channel movie "Halloweentown High" and was working at Blockbuster, initially read for Troy.
One thing on his bucket list? "I would love nothing more than a reunion where everyone, including Zac Efron, could have dinner together and say 'Wow wasn't that something?' We don't even need cameras there."
Any fears dissipated on the day the movie premiered. 'High School Musical' was No. "We got an email from [then-Disney Channels president] Rich Ross saying, 'The world just changed. 1 in the timeslot in all of cable and broadcast in women ages 18-49.'" "It was a juggernaut that came out of nowhere."  Barsocchini says.
Disney Channel's Marsh remembers having one note. "I loved the song, and I hated the hook. They knew they had to end with a bang. The team came up with a feel-good number called "Everyone's a Winner" to close out the film. I said, 'Can we come up with something that feels less cheesy?" As a result, they brought back a rewritten chorus and a new title — "We're All in This Together." "The world would have been different without it," he adds, knowingly.
It also became a financial juggernaut for the Disney Channel, driving unprecedented demand for DVDs, dolls, T-shirts, posters, sleeping bags, lunch boxes — you name it, Troy and Gabriella's faces were on it. 20, 2006. It didn't just launch the careers Zac Efron, Vanessa Hudgens (known then as Vanessa Anne Hudgens), Ashley Tisdale and more. Then came a sold-out concert tour, traveling ice shows, touring stage productions, and a show at Disney theme parks. "High School Musical" was the rare made-for-TV movie that transcended its humble origins and captivated a generation of teens and tweens when it premiered on Jan.
"When we first met Zac, we felt he had the quality of what we'd call a matinee idol. "He had an accessibility. We knew he had the capability of being a leading man." They similarly felt Hudgens had an "It" factor that made her perfect to portray Gabriella, a bookish and beautiful brainiac who fears of being known as the school's "freaky genius girl." He was stunning, but he wasn't cocky, which isn't something you'd find in young people," Hart says.
By coincidence, Gabriella moves to Troy's hometown of Albuquerque, New Mexico in the new year and transfers to his school, East High. For the uninitiated, "High School Musical" centers on Troy Bolton (Efron) and Gabriella Montez (Hudgens), two high schoolers who meet during winter vacation and discover a mutual love of music after serendipitously singing karaoke together. After some reluctance — and to the dismay of the entire student body — they try out for their school's winter musicale. Their travails included battling judgement from drama club president and preeminent thespian Sharpay Evans (Tisdale) and her twin brother Ryan (Lucas Grabeel), as well as Troy's best friend and basketball teammate Chad (Corbin Bleu) and Gabriella's new confidant and scholastic decathlon partner in crime Taylor (Monique Coleman).
The cast also fondly remembers getting permission to infuse themselves into the script; Bleu had a heavy hand in the quirky jokes for character's T-shirts, while Grabeel remembers improvising the line, "Everyone loves a good jazz square."
"When 'High School Musical' became successful, that's when we found ourselves having to backtrack.") (A funny aside: Disney executives didn't come clean at first, instructing Efron to pretend that it was his voice when doing press for the first movie. "We were all given talking points," Efron told Newsweek in 2007.
The script that caught his eye, a Disney Channel Original Movie with the working title "Untitled High School Musical Project," became a phenomenon despite Ortega's desire to keep a low-profile.
In 2007, about a year after "High School Musical" premiered, Variety asked about the forthcoming sequel: "Will the tens of millions of teens from Tuscon to Tuscaloosa (not to mention Brazil and Australia) go for a whole new set of numbers and storylines when they’re so attached to the old ones?" The short answer: Duh.” />
That strategy seems to have paid off for Efron, who transcended his Disney Channel roots and went on to headline box office hits including "Hairspray," "17 Again" and "Neighbors." Efron's career may have moved beyond East High, but even those roles failed to achieve the kind of feverish fan support as his run as Troy Bolton. Many of the other actors tried to distance themselves from the franchise after "High School Musical 3" in an effort to grow up in Hollywood (which may explain why Efron, Hudgens and Tisdale declined to be interviewed for this story).
Don't fall to peer pressure." "People will be critical it's a phony Disney version of a family, but that's what we set out to do." Ortega attests the messaging also helped the film catch fire: "It was be fearless. Like "American Idol," another musical phenomenon that existed at around the same time, "High School Musical" could play to tweens, teens and their parents. Don't stick to the status quo. "One of the reasons it took off is because parents could watch it with their kids without cringing," Barsocchini says. It was the franchise's genuine innocence that captivated viewers across the country — and the world.
For all of its runaway success and enduring popularity, executives at Disney weren't initially confident in "High School Musical" and felt they were taking a big risk by giving it a $4.2 million budget. That's not to say they didn't like the movie. But musicals are notoriously tricky to pull off, especially if they're original and not adapted from a well-known Broadway show.
I can't read with him.' She had a meltdown," Hart recalls fondly. "She was so smitten. She said, 'He's too cute.
"'High School Musical' was done the opposite. Original musicals take two-to-four years of crafting and creating with producers," Lawrence says. We had very little time." "In the old days, movie musicals were cinematic reproductions of what they were on Broadway.
I told Lucas it won't be something Ryan acts on in high school. "I never shared that part of myself in high school. "Without having to say he's gay, I've so many young gay kids reached out to say thank you for giving us Ryan Evans." The times were different. "I wanted a gay character, but I knew I had to be careful," Ortega says. I didn't want him to be stereotype." That was something Ortega achieved, in turn offering many teens someone they could look up to and emulate. Ortega, who is openly gay, never wanted to explicitly mention Ryan's sexual orientation.
Ortega remembers, "Zac Efron walked up to me and said, 'This is what we chose to do. We're here to make this great.' At that moment, he gave me permission to make the movie — that I could go for things, I could challenge them and myself." Though he profusely apologized, Efron assured him there was no need to say sorry. On the first day of filming, Ortega, who had previously choreographed "Dirty Dancing" and "Ferris Buller's Day Off," excitedly lost track of time and taught the cast the dances for two hours without giving them a break.
Back then, they arrived in the form of cassette tapes. "They were like contraband people wanted to get their hands on," Marsh says. Back at the Disney lot, excitement started to generate as the movie came together. "Slowly, the buzz internally started to rise." The first positive indication came from dailies, industry jargon for unedited movie footage that's collected each day for executives.
So he placed the movie's numerous musical numbers very deliberately, careful not to scare away any dudes with a "break-into-song musical." Barsocchini knew that infectious tunes — and the promise of a heartthrob like Efron — would make "High School Musical" an easy sell for girls. Convincing boys to watch could be a different story.
One day, the star athlete confided a dark secret to Barsocchini. But way back when, he recalls, it would have turned the school upside down. Yet the backstory was heavily inspired by his own upbringing at an all-boys Catholic high school. "'I always wanted to be a ballet dancer.'" It's not the kind of skeleton that would make kid's today flinch. "I'm going to tell you something, and if you tell anyone, I'll kill you,'" his friend whispered.
Though Seeley didn't get the part, he would later make his mark on the film's music. Efron had plenty of charisma and charm, but internally there was concern about his vocal prowess. "We thought they were going to use Zac's voice," Hart adds. "But they felt Drew's was stronger. "They didn't think his voice was as strong as it needed to be," La Padura, the casting director, recalls. When it became a success, they had Zac taking voice lessons." Efron's singing voice was eventually used in subsequent sequels. Seeley ended up recording vocals for Troy, and Efron lip synced throughout the movie to someone else's singing.
"I had a basketball with me everywhere. The cast grew close during the weeks-long shoot in Salt Lake City, Utah, bonding over rigorous vocal training and dance rehearsals. I slept with it." Musical numbers were regularly granted two to three days to perfect and capture on camera. Grabeel recalls practicing "We're All in This Together" approximately "ten thousand times before shooting it." The secret to dancing with a basketball in "Get'cha Head in the Game"? "Never part with it," Bleu advises.
And so casting directors Natalie Hart and Jason La Padura embarked on an arduous mission, one that involved multiple callbacks and auditioning hundreds of young actors, before finding lovable starlets to play Troy, Gabriella and the rest of the East High Wildcats.
Disney wanted the film set in middle school. For the first and only time in Barsocchini's career, executives greenlit the first draft. Rather, Barsocchini offered, audiences around the age of his preteen daughter "want to look down the road, not where they're at today." Few details were changed from the original script. One request from Barsocchini, however, was aging up the would-be young stars. It's not that "Middle School Musical" didn't have the same ring.
It was the most money the Disney Channel ever spent on a television movie." "[Conventional wisdom says] they don't generate ratings, people are bored and not into musicals. "You have to understand, nobody wanted to touch musicals on television. It was taboo," Lawrence, the composer, says. Disney was taking a really big chance." Barsocchini adds, "The week before it premiered, everyone got cold feet.
After narrowing down the search in an epic 12-hour marathon callback day, it was time to put the decision in the hands of Disney execs. The only issue? The casting directors knew they had undeniable chemistry and would make an ideal onscreen duo. Hudgens had puppy eyes for her soon-to-be leading man and was nervous to act opposite a shaggy-haired Efron. Efron and Hudgens were paired up for the final callback.
In its first five years, the "High School Musical" franchise amassed $4 billion in retail sales worldwide. The third and final movie with the original cast, "High School Musical 3: Senior Year," scored a theatrical released and generated more than $250 million at the global box office. By the time the sequel debuted on Disney Channel in 2007, setting a new cable television record with a huge 17.2 million viewers, the property was minting money.
In honor of the 15th anniversary, Variety spoke to cast and crew members about the making the film — and how a modest teen musical became one of the most commercially successful TV movies ever and taught younger viewers to love musicals.
As for the lack of a lip lock, Ortega says "not everything needs to be sealed with a kiss." However, Efron and Hudgens, who ultimately started dating in real life, were yearning for some onscreen action. "They were like, 'When are we going to kiss?!' We felt it didn't belong there." "There was something going on with those two youngsters," Ortega remembers.
Say it ain't so!) David Lawrence, who composed the film, wrote the song with his wife and producing partner Faye Greenberg. That became "Stick to the Status Quo," a catchy anthem about the struggle between having your own voice and conforming to peer pressure. The first full-fledged musical number came at the request of executives, who suggested turning a standard cafeteria scene into a splashy song and dance. (An athlete who can make a mean crème brûlée? Since the film had an expedited production schedule, separate songwriters were commissioned to pen the remaining breakout tunes, like "Breaking Free" and "What I've Been Looking For."
So he asked his agents to keep an eye out for a TV movie, something "under the radar" that would allow him to quietly flex his filmmaking chops as he slid behind the camera for his first feature since 1993's "Hocus Pocus." (And before that, he'd directed another cult Disney favorite, the 1992 musical "Newsies.")
Ortega admits: "I remembered being nervous."
Why are you keeping them so long?' I was set on making sure these actors had all that it would take." "We ran auditions as if we were doing a Broadway musical," Ortega says. "We put the kids through a really long process. Agents would call casting directors saying, 'What is going on?
Though Disney, years ago, began casting a fourth "High School Musical" film with a new set of cast members, it never took off. Ortega says maybe it's for the better. He's a fan of "High School Musical: The Musical: The Series" but making another movie set at East High "isn't in my thinking."
Sharpay, meanwhile, was named after a dog that once sunk its choppers into him. Other small tidbits from Barsocchini's life were woven into the script, like the name of his then 10-year-old daughter, Gabriella. "Seems nice, but bites," he says. "High School Musical" loyalists know that story served as the influence behind Troy Bolton, the school's basketball jock MVP who has a secret passion for harmonizing.
"It's easy to say in hindsight. It wasn't even a close call," Marsh says. But when they auditioned together, it was clear. "We saw the chemistry between them, and we were sold." For what it's worth, Gary Marsh, the president of Disney Channel Worldwide at the time, was immediately impressed.
We will fool them into watching a musical," Barsocchini says. "We made a conscious decision to make the first song a karaoke number ["The Start of Something New"]. "The second is ["Get'cha Head in the Game"], a guy's number in the gym. By the time it became a musical, they didn't know they were watching a musical."
In the early aughts, Kenny Ortega had directed a string of "Ally McBeal" and "Gilmore Girls" episodes, but what he really wanted to was return to making movies.
And its popularity hasn't waned. High School Musical. Last year, Disney Plus debuted the spinoff series "High School Musical: The Musical: The Series," which focuses on a new generation of East High Wildcats putting together a production of what else?

Laurence Fishburne is stepping into the animation game.
After Lunella accidentally brings Devil Dinosaur into present-day New York City via a time vortex, the duo works together to protect the city's Lower East Side from danger. Based on Marvel's comic book series, the show hails from from Disney Television Animation and follows the adventures of 13-year-old super-genius Lunella Lafayette and her ten-ton T-Rex, Devil Dinosaur.
Other auspices involved with the "Moon Girl and Devil Dinosaur" project include Helen Sugland and Fishburne's Cinema Gypsy Productions and Marvel Animation & Family Entertainment. "Kim Possible" producer Steve Loter serves as an EP on the project, while Jeff Howard and Kate Kondell serve as co-producers and story editors.
"Disney TV Animation is thrilled to collaborate with renowned producers Laurence, Helen and Steve and the talented Marvel Animation team to bring this modern-day roller-skating, gadget-wielding tween superhero and her larger-than-life partner to Disney Channel," said Meredith Roberts, senior vice president of animation strategy at Disney Channel.” />
"As an avid comic book fan, I am thrilled to be involved with 'Marvel's Moon Girl and Devil Dinosaur.' Disney Channel is the perfect platform to explore this pint-sized female African American superhero and I can't wait for their audience to enjoy the lighthearted adventures of Lunella and Devil Dinosaur," Fishburne said.
Fishburne announced the series at Disney's D23 Expo convention on Saturday.
The "Matrix" star is set to executive produce "Marvel's Moon Girl and Devil Dinosaur," an animated series which has been given the greenlight at Disney Channel.
The actor has been in the headlines this week after Variety exclusively reported that a fourth "Matrix" movie is officially underway with Keanu Reeves and Carrie-Anne Moss set to reprise their roles. Fishburne is not lined up to reprise the role of Morpheus as of now, with some sources saying the role may be recast for a younger take.

The original series launched in 2002 and ran for 87 episodes, and was nominated for an Emmy in 2003 for outstanding animated program. It also inspired two animated Disney Channel movies, “Kim Possible Movie: So the Drama” and “Kim Possible: A Sitch in Time.”
Christy Carlson Romano and Patton Oswalt are both set to appear in the upcoming film. Romano, who voiced the titular teen super-spy in the original series, will appear in a cameo role, while Oswalt will play the villainous Professor Dementor, the same character he voiced in the show.
Disney Channel's live-action "Kim Possible" movie is bringing back some familiar faces.
McCorkle and Schooley will also executive produce with Zanne Devine also serving as executive producers. The movie will be co-directed and co-produced by Adam B. Stein and Zach Lipovsky. The movie is a production of Middleton Productions, a subsidiary of Omnifilm Entertainment.” /> The live-action movie script will be written by the series’ creators Mark McCorkle and Robert Schooley along with Josh Cagan.
The rest of the cast includes Alyson Hannigan, Todd Stashwick, Taylor Ortega, Ciara Wilson, Erika Tham, Issac Ryan Brown, and Connie Ray. The movie, which is expected to debut in 2019, stars Sadie Stanley as Kim Possible and Sean Giambrone as Ron Stoppable.

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The companies said they would partner on ESPN’s direct-to-consumer product, a streaming-video sports service slated to launch in early 2018, and have agreed to make use of data analytics from Altice. Under the terms, Altice's Optimum cable service will continue to provide access to WABC in New York, Disney Channel, Disney Junior, Disney XD, ESPN, ESPN2, ESPNU, ESPNEWS, ESPN Deportes, ESPN Goal Line, ESPN Bases Loaded, ESPN3 and Freeform, along with Disney content related to those outlets distributed via digital and on-demand. Optimum will add ESPN’s SEC Network in late 2018, and launch ACC Network in place of another ESPN network the companies did not name in August 2019.
Disney suggested Altice would allow its networks to go off the air, while Altice indicated it thought Disney was charging too much for ESPN. Just a few days ago, analysts expected talks between the two companies to break down and each side began running commercials touting talking points in the discussions.
“We are pleased with the value and terms agreed to and we thank our customers for their support while we worked on their behalf to reach a fair agreement," said Michael Schreiber, executive vice president and chief content officer of Altice USA, in a statement.
Walt Disney Company and Altice said they had come to new terms on a carriage deal that will keep ESPN, ABC and Disney Channel, among other networks available to thousands of households in the New York and Connecticut, among other localities.
The companies did not disclose the financial terms of the agreement or indicate how long it would be in place.