Born in 1933, Vernon Winfrey served on the Metro Nashville Council for 16 years during his lifetime. He was also an established barber in his community, operating a barbershop in East Nashville for more than 50 years.
Last week, Oprah Winfrey shared that she was in Nashville, Tenn. to visit her father, stating that she would be "giving [him] his 'flowers' while he's still well enough to smell them."
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Lee and Vernon Winfrey were never married.” /> Oprah Winfrey's mother, Vernita Lee, died in 2018 at the age of 83.
Vernon Winfrey, the father to Oprah Winfrey and a former member of the Metro Nashville Council, died Friday after facing a recent illness. He was 89 years old.
Oprah Winfrey confirmed the death of her father through a statement on Instagram, sharing a recent video of Vernon Winfrey at an Independence Day backyard barbecue that took place at his own residence. Alongside his friends and family, Vernon was saluted by gospel singer Wintley Phipps, who performed a song for him.
"My friend and gospel singer Wintley Phipps saluted him with song. "Less than a week ago we honored my father in his own backyard," Oprah Winfrey shared. He FELT the love and reveled in it until he could no longer speak."
"We could feel Peace enter the room at his passing. All is well. Thank you for your prayers and good thoughts." That Peace still abides. "Yesterday with family surrounding his bedside, I had the sacred honor of witnessing the man responsible for my life, take his last breath," Winfrey continued.
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That's led to at least one one-off project with one of the figures she joked about on social media, Chance the Rapper. One of Davis' big success stories as a reclamation project after she came to his Arista label after a downturn in her career, Warwick has been experiencing yet another career resurgence as a result of her unlikely stardom as a Twitterer. Dionne Warwick has her own favorite rapper now, as a result of her very unusual 2020.
Elton John discussed his love for hip-hop, which may be even more developed than Dionne Warwick's.
When did that kind of hunger begin, Elton?" Davis told a story about arranging a meeting with John in the 1970s, "and I decided to arrive meeting you bearing a gift of seven albums that were each being released that very day," he recalled. "You greeted me, and I put the package right in your hands. You opened it and gently told me that you had bought all seven of them that morning at Sam Goodies. I was blown away. I had never seen anyone before have that intense hunger for new music.
you're playing the ukulele, will you go on?' So I went on, but I was scared to death." Later, in a cab while attending art school, "I passed a place called the Depression. They had already hired a folk singer in residence, but he said, yes, they’d be able to hire me from time to time. Joni. One night, one of them called in sick, or didn't show, anyway. And so that's when I really started performing — but I was still doing folk songs. So they said, 'Look, we've got a blank evening. and I thought the only way around this dilemma is to begin to write your own songs." And so I had the cab stop and I went in and I asked if I could perform there. Mitchell recalled how she first came to write original material. "I worked as a waitress in a coffee house, and there were folksingers coming and going. And the other performers would say, 'You can't play that song and that song, because those songs are my territory.' I found out the folk community was extremely territorial like that…
There's no other word for it, in my mind. She was enslaved psychologically, emotionally, and actually physically being beaten by whatever Ike could get his hands on to control her. And it wasn't just physical control, it was also mind control. I just don't know of a better example of somebody who has taken the worst of their pain and turned it into a powerful phenomenon that affected the rest of the world through her art." "Well, that is a line from a Maya Angelou poem that I (thought I) might as well use her line," Winfrey said. And what it takes, when you have endured that kind of trauma, to be able to find the worth within yourself — just enough of self left after everyone's tried to snuff it out — to say, 'I am better than this,' and to not only escape and survive it, but then to create a life that allows you to thrive… "The reason why she makes me so proud is because she was enslaved.
So it gave me a much-needed year" to reflect, he said. I didn't give myself a chance to grieve… I numbed myself with my work and my hustle, you know? I wasn't done doing a lot of things. "Really, I wasn't even done mourning the loss of my father (who died in 2019). DaBaby acknowledged that losing out on live appearances and promotional appearances as his latest music conquered the charts in 2020 was a blessing.
"Well, you know, when I first started writing less from fantasy," Mitchell said, "when I started scraping my own soul more and getting more humanity in it, it scared the singer-songwriters around me. I think it encouraged people to write more from their own experience. "But over time, I think it did make an influence. So that's really encouraging to me, because I thought, 'I don't see why these men are so upset about it… They're too personal.' And yet that's not true. People write from experience and that's what makes it rich. The men seemed be nervous about it, almost like Dylan plugging in and going electric. It's just humanness that I'm trying to describe.'” But people used to say to me, 'Nobody's ever going to cover your songs. They're getting a lot of covers. Like, 'Does this mean we have to do this now?'" she laughed. I mean, literature is very personal.
I love you, Joni," she said, looking into the camera at the end of her surprise performance. Mitchell is not performing anymore, but Brandi Carlile filmed a stunning solo piano rendition of "A Case of You" for Davis' webcast. "I love you, Clive. She'd taken it upon herself to perform "Blue" in its entirety in a Mitchell-attended Walt Disney Hall show two years ago that was arguably the most coveted concert ticket that existed in Los Angeles for 2019.
The mogul-host asked if it would be difficult for John to resume his farewell tour after the enforced extended lull of the pandemic.
Mitchell still believes the jazzers get her most, and mentioned that Herbie Hancock and Wayne Shorter are still good friends who attend the parties she throws up the coast, where "we just hang out, and spontaneously people began to play something," with Carlile, Chaka Khan and other singers also joining in the fun.
"But, you know, Clive, I've never shared this before. Something happened during that show that to me indicated how much people were rooting for her. There was a moment where she slipped — I don’t know if you remember this, or were you backstage?" "I was hoping, just as I think you and all of the fans who loved her so much were, that that was going to be the moment that turned (her) around," agreed Winfrey.
I was reading a book (by Saul Bellow) called 'Henderson the Rain King,' and in the book, he was up on a plane flying to Africa, and he mused that he’d looked up at clouds, but he’d never looked down on them before. So that was where the germ of the idea for the song came from." Of the song's writing, Mitchell told Davis, "I was up in a plane.
The spin they put on this first-told tale was a reflection of the trust that can exist between a beloved performer who is struggling and her audience (with, undoubtedly, a serious sprinkling of the persuasiveness of Oprah). There was a story with a less happy ending when it came to Whitney Houston, although Winfrey and Davis shared a protective moment with her when Houston came on to Oprah's show in 2009 for what was hoped to be the beginning of a comeback.
Mitchell said it was a song that better suited her later in life than when she first wrote it in the '60s. Davis played a clip of Mitchell performing "Both Sides Now" with an orchestra in 2000, filmed to promote an album of that name she released with all-new symphonic rearrangements of her classic songs.
So I thought that this would be a powerful message — and I wanted to give you a killer guitar solo," she added with a laugh. "The message is so powerful, and we lost a lot of people in 2020. And I think 2020 really taught us that. I think we've learned just to love the people we love, even to hold them tighter, hold them closer, because as you can see, life is so short, and things happen and sometimes we can't reach them. "I think it's one of my favorite Prince songs ever," said H.E.R., who told Davis she'd first been motivated to pick up the guitar by watching the late performer.
And let me make it unmistakably clear. And I've remarked personally to a few of my close friends the respect that you have, because nobody until today has ever told that story. "I marvel at that," agreed Davis. "I heard word for word what you said. And you did, with incredible insight, say that to the audience. This was a pure accident. Including you." Whitney was clearly not high.
This show followed the first of the two-parter in February, when Davis talked with, among others, Springsteen, Alicia Keys, Barry Gibb, Carole King, Rod Stewart, Sean Combs, John Legend and Chance the Rapper.
Also on the docket was Oprah Winfrey, who was ostensibly on hand to pay tribute to Tina Turner — following Davis playing a vintage performance clip of the newly named Rock & Roll Hall of Fame member singing "Simply the Best" — but who also shared a memorable story about Davis' beloved Whitney Houston and how she got a TV taping audience to keep a possibly shameful Houston secret.
As Davis asked Mitchell more than once how it feels to be so popularly admired and cited as an influence — mentioning that, every time she's been a guest at one of his pre-Grammy galas, she got more sustained applause than any of the contemporary performers — Mitchell drifted back more toward the resistance she says she encountered, from her first days in a coffeehouse through mixed reviews her albums got in the 1980s.
"And she hit me across the knuckles with a ruler and said, 'Why would you want to play by ear when you could have the masters under your fingers?' So I said to her, 'Look, the masters had to play by ear to come up with that stuff.' And she just treated me like a bad child, and I quit piano lessons then. So my piano style is pretty unorthodox because unlike most piano players, I am un-influenced by the masters. From then on, I was self-taught. Davis asked when Mitchell first begin writing songs. "When I was 7, I wrote… I never had them under my fingers, so my fingers had to go in their own original way." it wasn't a song, but it was an instrumental, called 'Robin Walk,' and I played it for my piano teacher," she answered.
And it continues to this day because I do a radio show every week; I find new artists, I ring them up, I play them, I interview them, I become friends with them… That's for me the greatest gift I've ever been given in my life. "When I was a kid, music just got me through so many tough times. "Well, I still had the wonderment that I had as a kid when I cycled to my local record shop to get 'Sgt. So talking to you and and being in your company from so many years (ago) is really, really special to me," John told Davis, "because we both love music so much." It was my friend… We love records. Pepper' and (was) holding the sleeve in one hand and guiding my bicycle on the other hand and looking at a gatefold sleeve, which was so rare," John said. And you've always championed the young and  always championed different sorts of music. It's the young that rejuvenate me. You and I are cut from the same cloth…
and there was a sideshow when the fair came to my hometown called Harlem in Havana, and we were all forbidden by our parents as kids to be seen even standing there watching, because it was Black burlesque… When Davis asked about influences, Mitchell said, "I think you you're made up of everything you ever admired, you know, You may not see it in my work…" Pressed for specifics, she answered: "Edith Piaf. and they played a really sexy version of 'Night Train' (the blues song re-popularized in the early '60s by James Brown), and that piece of music really affected my writing. It took a while for it to come out, but I think everything you ever admire sooner or later appears."
Appearing early on in a webcast seen by a couple of thousand viewers on Zoom and Moment House platforms (many of whom had ponied up donations for the event's beneficiaries, the Recording Academy's MusiCares and Grammy Museum), Mitchell seemed at ease as Davis asked her about everything from the origin of "Both Sides Now" to the parties she's recently been famous for throwing in the Santa Barbara area, which outdo Davis' soirees for inducing jealousy among the outside world.
These people are the people that have to speak about it, because in the last few years in America, they have had a lot to deal with." So I try and keep up with these people. and then Timbaland came along and I made a record on Timbaland's album. I love Megan Thee Stallion. And some of the production on these records, like Travis Scott, Kanye’s records, the records of Kanye’s that are just masterpieces, Eminem’s record…. "It's shifted music in a completely new direction. Like, where do they all get their ideas from?… There's so much good music coming out by these people. and now you've got records by Lil Nas X, and (his) videos which are just extraordinary… Tech N9ne is one of my favorite rappers. I interviewed him on my show. I love Cardi B… It goes back to when we were looking at Missy Elliott … It's the equivalent of modern jazz, really… "I devour it, because it's very important," he told Davis. it's coming from years and years of hardship, years and years of racism. I love Nicki (Minaj). He's from Kansas (City).
"And when she went back to the green room to regroup — it took her a long time to regroup, because she was so shaken by it… This is the first time I've said this publicly… I said to the audience, 'Audience, you know what this moment means to her. "She slipped, and she fell off the stage, and it was a horrible moment," said Winfrey. You know that she is doing her best to try to come back and start a new life for herself. You know what this moment means to her career. So I am begging you: Please, do not post, do not tell anybody, do not share the fact of what you just saw of her falling off the stage.' And do you know, to this day, not one person did?
"I was there, and I remember… go ahead and say it."
I need 300, Clive, I need 300 next time, (so) I can really sit down with a sheet of paper and write down 300 artists." "I was definitely a big fan of Kanye, especially early on, so I would … Three is not enough," he said. I was blessed enough to be able to see a lot of different people have their era, like even like a Nelly, and Lucacris, T.I. "Lil Wayne. give 50 Cent and Kanye West a tie… Eminem. Three is not enough. And that makes sense energy-wise, if you think about like my visuals… So many people, though. … so many people that just had their waves… When I was like 8 years old, Mystikal was my favorite rapper. DaBaby brightened at being asked by Davis to name his three biggest influences.
For the second half of his two-part virtual "Grammy gala" this year, the music mogul doubled down in Saturday night's invitation-only webcast on interviews with the stars, including Elton John, DaBaby, Paul Simon, H.E.R., Dave Grohl, Dionne Warwick and Chris Stapleton. Clive Davis has a gig as music's own new Barbara Walters, if he wants it. When awards season returns in a presumably post-pandemic 2022, Davis will probably return to the usual performance-based Beverly Hills parties to which guests have become accustomed, but at least a few will miss his 2021 talk-show format.
And when it's time, I'll be going out there and doing it. And I don't think we'll be finishing now in ‘22. I was having such a ball, but the pandemic created chaos for everyone… But I don't want to schlep, Clive. We were the top tour for two years in a row. I have to just be patient and sit there. I had so much fun doing the tour. I think we'll be finishing probably in ‘23. "We got stopped in the middle of a steam roller," the singer answered. "I mean, we were just like an express train. I will always be involved in music; I will be creating music, promoting music — being involved in music is something I have to do. I have no control over the pandemic. I don't want to schlep anymore."
And so there's a lot of emotional charge to that performance… "I had to grow into it, you know," she said. The British performance, the one that's on the record, was very exciting because the orchestra was weeping. "When I first wrote it, I was very young and I took a lot of teasing: 'What do you know about life, from both sides?' And I always felt that it was not an ingenue role, that song… I feel like I finally grew into that song." When you see Englishman weeping while you're performing, it's very moving.
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Two other original performances filmed exclusively for the evening were shown amid vintage clips, beside's Carlile's. Jazmine Sullivan sang "The Way We Were" in tribute to Barbra Streisand, and later, recent Grammy and Oscar winner H.E.R. was joined by her band and a string section for a cover of Prince's "Nothing Compares 2 U."
H.E.R. said she has plenty in the docket. And yeah, more glasses to release," she added, referring to a line of signature specs. And then I'm bringing back my series that I did on Instagram, 'Girls with Guitars.' … I just did a Netflix film with Jennifer Garner called 'Yes Day,' and I have a lot more acting things coming up. "I have my album coming out; it's supposed to be my debut album, but I think we're past a debut at this point," she laughed, referring to her many EPs and singles. And I plan on bringing back my Lights On Fest that I had locally in the Bay area where I'm from, and just letting R&B shine (with) some new artists and current artists. "I'm going to have to get you a pair," she told Davis, "because you got some fly glasses on right now." "And I'm also working on a reggae EP, which I'm super-excited about.
"Every year since I've been a mainstream artist, I've gone through like personal tragedies," he said. I'm no stranger to going through things. "Just recently, my brother committed suicide, maybe six months ago. and just keep it pushing." But I gotta give credit to my parents… This is when I'm coming off of having the No. DaBaby's appearance with Davis got highly emotional as he discussed the recent deaths of two of his closest family members. especially my mother is super-duper strong. 1 song in the country during the pandemic." When it happened, "I was doing a voting campaign and I was going around to different voting polls in my city of Charlotte, North Carolina, doing my part, what I could do to get more people involved in what we got going on out here in the world. And then I got the phone call… I was just always taught to not look for sympathy from anybody…
But the host's chat with Mitchell undoubtedly packed as much of a wallop for most viewers, even if he avoided asking her about her health struggles (at least in the portion edited for the webcast), with her mere presence being a welcome surprise after the star has stayed out of the limelight during and since her recovery. Davis' conversations with Winfrey and DaBaby may have been emotional high points of the six hours, in pure content, given the struggles both interviewees touched on, for themselves or others.
Asked by Davis what she thinks her legacy will be, Mitchell said, "It is what it is. It's just the residue of my work, you know. I mean, I drove to West L.A. You know, it's like this generation is ready for what I had to say, I guess, and is not so nervous about it." The man who put on my art show here in L.A. I thought, Oh my God, that's amazing. It seems to be another generation has grasped (it).. I mean, it's just the way my career has gone. and young boys, pre-teeners, were waving at me from the curb. is Russian. … He  said, 'Why is that all the young people over there know your music and the people our age don't?' …
Talking with Winfrey at the outset of Saturday's web gala, Davis talked about how the real talk-show host among the two of them had inducted Tina Turner at the 2005 Kennedy Center Honors, "and you summed up your tribute that night by saying, quote, 'You make me so proud to spell my name W-O-M-A-N.' Could you elaborate on that?"
He’s done the track; he's putting his part on it now, creating what he feels it should be, and then is going to send that to me (and) I'll put my vocal on… "He responded, and we subsequently started talking on the phone and decided we should do something together," she recounted. "I said, 'What if we come up with a song that means something to both of us?' And he loved the idea. Hopefully some time this summer, people will be able to hear the collaboration between Chance the Rapper and Dionne the Singer."
Among the many bold-face invited guests seen in the Zoom room looking on Saturday: John Fogerty, Josh Groban, Don Lemon, Gayle King, Jody Gerson, Monte Lipman, Weird Al Yankovic, Martina Navratilova, George Schlatter, Sherry Lansing, Aaron Neville, Carly Simon, Dan + Shay's Dan Smyers, Scott Borchetta, Brenda Vaccaro, Dean Pitchford, Tom Freston, Candace Bushnell, Matt Sorum, Pia Toscano, Sam Moore, Yolanda Adams, Kat Denning, Melba Moore, Valerie Simpson, Carole Bayer Sager, Lorna Luft, Peter Asher, Nile Rodgers, Suzanne Somers, Mike Dungan, Tommy Hilfiger, Randy Jackson, Dick Cavett, Rickey Minor, Krist Novoselic, Desmond Child, Suzanne de Passe, Deborah Cox, Dallas Austin, Julie Swidler, Daniel Glass, Neil Portnow, Richard Weitz, Richard Palmese, Michele Anthony and Coran Capshaw.
(See three video excerpts, below.) Mitchell has been known to be a loquacious party host and guest in the last few years, and gave Cameron Crowe a print interview for a boxed set's liner notes that was excerpted in the Guardian last fall. But for any of Davis' hundreds of guests who hadn't heard that Mitchell was in perfectly chatty shape, her 14 minutes with Davis (edited down from an approximately 40-minute conversation they pre-recorded) may have come as a happy revelation, and even those who've had the chance to speak with her in private recently welcomed the opportunity to hear her reminisce about her early influences and revolutionary career. Even Walters might have been jealous of Davis' big "get" of Saturday's marathon six-hour session, Joni Mitchell, who had not given any interviews in a public or even semi-public setting since suffering an aneurysm in 2015.
I thought, why is it that people are so hard on this stuff? And they could write it out and look at the strangeness and get in on it." Well, I guess it's because it's different. Mitchell claimed to have not been overly conscious of the extent of her influence until recent years — distracted more, she suggested, by brickbats that came her way at certain points in her career. The only people that could play my music were jazz musicians, because it was so strange. Especially 'Dog Eat Dog' (in 1985) got terrible reviews. "It was only recently that people have come forward and told me," she said. It didn’t fit into a genre of folk music or jazz" but was "somewhere in between… I always that folk music wasn't a good title for me, except it was a girl with a guitar, and therefore a folk singer, right? "I was unaware, because all I was aware of was bad reviews, which I thought were unjust and stupid. Except in the Black magazines.
After her interview, were you hopeful for her as I was?" I was so personally hopeful after her epic interview with you that she would return committed to be the Whitney that I loved and cherished from the time I signed her in 1983. Said Davis, "I remember when she sang 'I Didn't Know My Own Strength' to your audience, and I saw that audience reaction.
I had to have somebody who could read and write to do my lead sheets for copywriting, and they did them and they liked the melodies, and they started incorporating some of them into their set. The jazz musicians that played, I think, were part of the Motown orchestra. And then my audience changed, and the jazzers would come a little early and catch our last set, before the after-hours jazz." Before long, "when I was in Detroit, I was in a duo with Chuck Mitchell, and we were regulars at this club called the Checkmate, which was folk music till midnight and jazz after hours.
Simon thanked Davis for his foresight, when he was the head of Columbia Records 50 years ago, in pegging "Bridge Over Troubled Water," as the first single from the final Simon and Garfunkel studio album of that name, rather than "Cecelia," which Simon was sure would be the hit. (Davis said "Bridge" and "The Boxer" are his two favorite songs of all time.) Mellencamp and the mogul remembered a less fruitful encounter, when Davis took a pass on signing the rocker in the 1970s because he already had Bruce Springsteen on his roster and felt they were too close, something he's still "regretful" about — but Mellencamp gave him a pass, saying he really wasn't ready yet.
Davis' other interview subjects Saturday included Simon, Grohl, John Mellencamp, Donovan, Barry Manilow, Slash, Berry Gordy, the combination of Carlos Santana and Rob Thomas, and two members of Earth Wind & Fire.

On Sunday, Markle and Prince Harry announced that their family is expanding.
On the heels of the news that Prince Harry and Meghan Markle are expecting a second child, CBS has announced that Oprah Winfrey will sit down with the couple for a "wide-ranging" interview.
"Oprah With Meghan and Harry: A CBS Primetime Special" will air on CBS on March 7 at 8 p.m. Winfrey will first speak with Markle, the Duchess of Sussex, about stepping into royal life, marriage, motherhood, her philanthropic work and how she handles life under the public eye. ET/PT. The two will then be joined by Prince Harry to discuss their move to the United States and future goals.
The couple reached a major multi-year deal with Netflix in September, which will allow them to develop documentaries, feature films, scripted television shows and children’s series. They also recently launched a podcast on Spotify under their Archwell Audio production company, with the goal of building “community through shared experience, narratives and values.”” /> Markle and Prince Harry are now based in Los Angeles after declaring their independence from the Royal Family in March of 2020.
The couple welcomed their first child, Archie Harrison, in May 2019. The baby news comes after Markle penned an op-ed for the New York Times in November detailing that she had suffered a miscarriage a few months earlier.
“The Duke and Duchess of Sussex are overjoyed to be expecting their second child.” “We can confirm that Archie is going to be a big brother,” a spokesperson for the couple confirmed to Variety.
The special is produced by Harpo Productions. Terry Wood and Tara Montgomery will executive produce, along with co-executive producer Brian Piotrowicz.

Speaking about Morrison's legacy and impact on African American culture, Winfrey said that in her view "there is no greater writer."
For me there is no one else.” "For me there is no greater writer, there is no one who has been able to affect and have the impact, particularly on my life, and I think on African American culture the way she did. “She changed the experience of reading for me, it was more than about reading, it was about understanding the deep origins of wounds that have affected the African American culture for years and being able to give meaning to those wounds through her language," Winfrey said.
Winfrey, who earlier in the day Tuesday had posted a tribute to Morrison on Instagram, was a longtime friend of the author and was instrumental in bringing the adaptation of her novel "Beloved" to the big screen, starring in and producing the 1998 movie. She also appeared in the recent documentary on the writer's life, "Toni Morrison: The Pieces I Am," and selected Morrison's novel "Song of Solomon" for her popular Book Club segment on "The Oprah Winfrey Show" back in 1996.
"When it actually does happen it’s always worse than you imagine," Winfrey told Variety in an interview Tuesday.
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One day after Nobel laureate Toni Morrison passed away at the age of 88, Oprah Winfrey told Variety that she knew the author's death was coming and "thought (I) would be prepared for it."

[Intro: 3D Na’Tee]
(ah yeah, ah yeah)

I’ve been putting on for the N.O
(damn right)
I’ve been the shit since you were blowing your Nintendo
(damn right)
Now me and Yankee in the intercontinental
(damn right)
Overseas making cheese like Sargento
(damn right)
I remember selling weed out the window
(damn right)
Fast forward made a fortune off a demo
(damn right)
From the bars, cars looking like I’m Leno
(damn right)
They know what I’m bout from the south to Sacramento

[Hook: 3D Na’Tee]
Bitch I’ve been a big dawg, big dawg, all of my life
Been a big dawg all of my life, been a big dawg all of my life
Bitch I’ve been a big dawg (been a big dawg)
Big dawg (bitch I’ve been a big dawg) all of my life
Been a big dawg all of my life, been a big dawg all of my life
(damn right!)

[Verse 1: 3D Na’Tee]
Had a few brushes with death and getting another chance
Was slimmer than Thugger’s pants
But somehow I still advanced
Like Choppa, Babs, and Fred, my focus was making bands
Was poker faced with the grams, but now I’m touring in France
Putting on for the N.O., LA and you ain’t gotta Kelly
Blue Book the whip, just know I spent a lot of chips
More bread than a deli
Could’ve been in the Fed’s bunk bed with a celly
(what they tell me?)
But they tell me don’t go pop though, I’m not though
Rather go and see my pops hoe, my top low
Motor bigger than a Costco, dodging pot holes
I remember wearing Pacos, was a snot nose
Now my knot rolls just will not fold
Bitch I got it, even though the radio ain’t never play my product
Guess it’s cause I refuse to pretend I’m idiotic
Pockets big as DJ Khaled though I never went to college, bitch!

[Hook: 3D Na’Tee]
Bitch I’ve been a big dawg, big dawg, all of my life
Been a big dawg all of my life, been a big dawg all of my life
Bitch I’ve been a big dawg (been a big dawg)
(Bring me another bottle of that Lasserre)
Big dawg (been a big dawg) all of my life
(You know I’m part owner)
Been a big dawg all of my life, been a big dawg all of my life
(Big dawg shit. Crown!)

[Verse 2: 3D Na’Tee]
Labels tried to play me like a fool so I left
Told Tim only way I’ll sign is if I go deaf
No silicone in my breast or fucking niggas for press
But still come up in discussion if you discussing the best
Russell cut me a check and did it ASAP
He know what my mind worth
A signing bonus I ain’t gotta pay back
From selling ye to having beignets with Stevie Wonder
Baby tried to sign me, bitch I’m my own stunna
No Fat Joe or Luda or artist to introduce her
So many stones like I looked in the face of Medusa
Was in the hood like a Ku Klux with the deuce deuce up
Made a quarter million from telling you how I grew up
Like George, had to move up, though it wasn’t rapidly
I don’t have an out of touch label exec backing me
Just me and my faculty
Some compare me to Rapsody
Some compare me to Remy
But I’m more like Oprah Winfrey, bitch!

[Hook: 3D Na’Tee]
Bitch I’ve been a big dawg, big dawg, all of my life
Been a big dawg all of my life, been a big dawg all of my life
Bitch I’ve been a big dawg (been a big dawg)
Big dawg (I’ve been a big dawg) all of my life
Been a big dawg all of my life, been a big dawg all of my life
(damn right!)

[Hook: 3D Na’Tee]
Bitch I’ve been a big dawg, big dawg, all of my life
Been a big dawg all of my life, been a big dawg all of my life
Bitch I’ve been a big dawg (been a big dawg)
Big dawg (I’ve been a big dawg) all of my life
Been a big dawg all of my life, been a big dawg all of my life
(damn right!)

[Intro]
Better call the cops
I’m ’bout to run up on yo’ block
Take shit that don’t belong to me
They say that something wrong with me
Red rum, red rum (eh)
Hoodlum, I’m done (yeah)
Dust on hell spawn (woah)
We don’t get along

[Verse 1]
Rock with it, lean with it
Styrofoam with lean in it
Party not popping, less my whole fucking team in it
Glenn Wood, hitting jugg’s
Niggas wish that they was good
But niggas couldn’t keep it real
But I don’t hold no ill will
I ain’t got no ena, and you ain’t got no stamina
So nigga don’t you come at me
We know you ain’t got no family
You ain’t got no crew
Cause they don’t keep it real with you
Niggas keep it real with me
Despite all of my savagery

[Hook] (x2)
No matter what I steal, or all the niggas that I rob
Living on the west side
Pretty black heartthrob
The way I used to make her feel
I miss when we were only friends
Juggin’ in the west end
Touching in her west end

[Verse 2]
Big house Duplex (yeah)
Suplex, who next (woah)
Russian roulette (yeah)
Bullet threw neck (eh)
Brett Hart, sharpshooter
Scamming bitches on computers
Future in my hands
Popped a vyvanse, blew five bands
Hang time, gang signs
Use you’re hands, fusion dance
Stay in school
So tinted
Oprah Winfrey, we ain’t cool
Soda whips is bullet proof
Getting throat in a jeep
A nigga ran off the streets
Say they got evidence on me
But that shit ain’t concrete

[Hook] (x2)
No matter what I steal, or all the niggas that I rob
Living on the west side
Pretty black heartthrob
The way I used to make her feel
I miss when we were only friends
Juggin’ in the west end
Touching in her west end

[Outro]
Better call the cops
I’m ’bout to run up on yo’ block
Take shit that don’t belong to me
They say that something wrong with me
Red rum, red rum (eh)
Hoodlum, I’m done (yeah)
Dust on hell spawn (woah)
We don’t get along