I could see it coming." To me, there's so many things that connect up that are neat to see them planted in the "Breaking Bad" universe — his box of mementos and things that are connected up through the two shows. There's something he says in that moment that resonates: "I used to be the guy who I was sharp. It's about kind of losing your footing a little bit as you get older and needing to compensate for that. Obviously Francesca and where they're at at the end. I wonder where the money in that bag, I wonder where that money is from, but something tells me that money is from his "Better Call Saul" days, not his "Breaking Bad" days, so it's like the money he's making in this series is what gives him an out. Boy, there's so many things!
"It was really rewarding. "I think it was the best episode so far this year," Odenkirk tells Variety. And it's when they can mix it and you get both, that you get an amazing episode." I don't know why it was a bit above everything else, but I think maybe because you get these episodes where the story is just evolving and it doesn't have a balance between initiating ideas and giving you some satisfaction, some closure along the way.
Comfort Howard! Obviously seeing Saul is great fun for everyone, but my biggest concern right now is I can see and I can hear it in people's voices — it's the same reaction I had when we got to this juncture in the season and I called Peter [Gould] and Vince [Gilligan] and said, "Does he have to become Saul?" But that's where we're going. You'll get this guilt off your chest." But he's not doing that. But that's the journey of this show, at least so far. He's not headed that direction.” /> It'll be good for you too in the long run. You want to grab the character by the lapels and say, "No, make the other choice! Yes, he has to become Saul and yes, that means the better parts of himself, the better angels of his nature, are being vanquished or at least hidden away. And it's a shame.
His relationship with Kim (Rhea Seehorn), though, does center him — but are they being truly honest with each other?
You won't get the exact same slice, I'll tell you that. We don't go back to Saul's office. You never met him, but just the fact that we really get entwined with the "Breaking Bad" story I think is the same thing, the satisfaction of like we're actually getting there. But if you're counting "Breaking Bad" references as pie, maybe there's more stuff to come that's pretty great. There's only five episodes left. We get to meet Lalo, a character from "Breaking Bad" that was referenced.
There's another scene like that in this season and I love playing those scenes because you kind of get to exhale all of the characters' presuppositions about the world and you get to just be fully alive in the moment because the character is fully alive in the moment and listening and open-minded. I loved that scene last night and there's another one coming up this season where Jimmy says, what the hell is wrong with me? And it made me feel like, wow, they could make it. And he says, I'm going to go see that therapist. Rhea is amazing this season. There's the possibility that Saul Goodman is going home somehow to Kim and that she's living a very separate life that they share together when they get home. I think it's an amazing, amazing moment that suggests that they could make it through this together. And I really feel like it's an incredibly honest moment between the two that is really about connecting and sharing and hearing each other and listening to each other. That James Carville, Mary Matalin thing. But otherwise they don't interact. There's that possibility, but I don't think that's going on. But that scene last night was two people being honest with each other, being understanding with each other and listening and not judging each other. And she comforts him. It's just a wonderful thing to get to play and to give to these two characters to do because if it's going to mean that, if they come apart and I do believe they will, it's going to be more tragic because there's this possible dimension to each of them that they can listen and they can grow. I, like most fans, don't think that they make it through. The strength of her character and the frailty mixed is astounding.
My guess is Jimmy will think that he controls him, which is the same way he feels about Walter White and pretty much anybody he meets. He's absolutely sure that he can control people with his words, with his manipulations. And he has to find out through the course of "Breaking Bad," I think, that no, he can't control every radical thing in his universe.
The guy's on a journey and he's presented with various choices and he's making understandable but unhealthy choices. We're going to go down the road of Saul, that's what's going to happen. That's not the way forward. And Jimmy sees that. He just thinks, yeah, I don't want what examining myself might do to me. Howard's in therapy and anybody who's been in therapy knows that before it puts you back together, it can take you apart. The answer to that is, I'm gonna fight back 10 times as hard. That is not the healthiest answer. You go there to get yourself in better shape. I don't want to shatter like that. He's angry at those kids for getting the step ahead on him and the answer to that in his mind is not, maybe I shouldn't be running with these young wolves. And it's a shame. I'm going to become a bigger, badder wolf than I've ever been. He's making the somewhat easier choice of trying to shore up who he thinks he is. Not for the long term, but Jimmy doesn't want to hear that. And so there we go. But often times, first you have to go through a bit of a falling apart, a sequence, and that's where he's at.
Which costume is worse: The purple shirt or the track suit?
Can anything change his path toward becoming Saul?
I think Trump uses them! They're a pretty popular thing among the scurrilous in society. I guess a lot of people were using them. I didn't know burner phones were such a thing, but I guess they really were.
There's a lot going on there, but when he sees those three kids, he's looking at himself from 15, 20 years before and he's not making allowances for the steps that he's lost, the speed that he's lost in the last couple of years just trying to live like a good, good person. And just getting older. Yeah. I mean, he's not sharp, he's acting all tough and they just take him down.
Spoiler alert: Do not read until you've watched episode 5 of Season 4 of "Better Call Saul," titled "Quite a Ride."
How is Jimmy going to cope with that?
Instead of just looking at this pie that's sitting on the windowsill, watching the pie cool, we just get that one piece of it when it's warm and then we're like, OK, it's really good pie. I was thrilled. So just to get to see Saul and see his office and it just let me exhale and not worry about it for awhile. We got to see him and we know that he is Jimmy McGill and they're one and the same person. Like a lot of fans, there's an anticipation of Saul that can become nerve-wracking and annoying in my own head of when are we going to get to see Saul? We'll get there.
The track suit is kind of cool. I would wear the tracksuit, not happily, but I would not turn red with embarrassment. The purple shirt! I wouldn't wear that purple in a pair of pajamas, much less in an actual shirt. But the clothes that Saul wears are ludicrous.
And now we know how that burner phone habit started.
I know when I go into the offices they have these boards that have every character who appeared in "Breaking Bad," and so they have that world of people to choose from. I'm curious where he got the idea for that. That office is such a show, almost a TV or movie set. I'd like to know where the office idea came to him. They're connecting these shows up in ways that I never even thought about. They've really got every little curly q and choice obviously in their head and that has to be from a very conscious effort, not just from memory. There's no way you could remember everything that happened. It feels like a very conscious choice. They're answering more questions than I even have. I can't wait to meet him. The richness of it, the number of connections they're finding is just amazing. There's so many little connections between the two, it's amazing. And I just can't wait for people to meet Lalo. The writers really have "Breaking Bad" in their head. The combover — I know he's losing his hair, but just to commit to the combover is so wild.
What was your reaction to finding out you were getting back into Saul?
Here, Odenkirk talks about more crossover from the "Breaking Bad" universe, the "frightening" character we're about to meet — and yes, that combover.
We certainly see that during the burner phones caper, when he gets beat up by the kids.
Are there other aspects of Saul that the writers haven't touched on yet that you want to see play out?
What can you tell us about Lalo?
What was the theme for this one for you? The teasers are always so intentional, and they have a theme that plays out across the episode.
And then there's poor Howard (Patrick Fabian), who's falling apart.
Halfway through Season 4 of "Better Call Saul," one thing is clear: Jimmy McGill (Bob Odenkirk) is plummeting even faster into his eventual, inevitable transformation into Saul Goodman. The episode title says it all: Quite a ride, indeed.
And that's a frightening prospect. The word crazy — that feeling of there's a chaotic element in his brain that's really frightening. I think he's a tougher, crazier character than anyone we've seen in my show so far.
That point couldn't have been made clearer by the opener, which time-traveled ahead into Saul's world, frantically searching his office for hidden stashes of cash, planning his post-Walter White getaway — and barking at Francesca (who rejects his attempted hug).
So to continue the analogy, are we going to get more pie this season?

Seehorn thought it was odd at first but she realized as they sat together it was a perfect way to become comfortable just being together. Seehorn and Odenkirk bonded during the filming of Season 1 by taking a long car ride together from Albuquerque, where "Better Call Saul" is shot, to Santa Fe for lunch. "All the tools you normally use trying to get to know somebody were gone," she said. Odenkirk was battling a sore throat at the time so the two were mostly silent during the trek. By the time they filmed their first scene together in a parking garage, "it was perfect."
Here are 10 things we learned about the show from the lively panel, moderated by Rolling Stone chief TV critic Alan Sepinwall:
Producers and cast members gathered on Wednesday for a gabfest about the show held as part of the AMC Summit press day in New York. 6. Fans of the "Breaking Bad" prequel have had a long wait for the new season, as Season 3 wrapped up this time last year and Season 4 is set to bow Aug.
Dealing with grief and finding the right path for personal growth are among the major themes explored in the upcoming fourth season of AMC's "Better Call Saul."
Season 4 is "darker and richer" than the prior three seasons, Gilligan said, which also indicates that "Saul" is definitely standing on its own outside of the shadow of its beloved predecessor despite the converging storylines. "In the Venn diagram of 'Breaking Bad' and 'Better Call Saul,' the overlap in the center is getting bigger and bigger," Gilligan said.
A new season of "Saul" always begs the question of whether any familiar faces from "Breaking Bad" will be entering the picture. Gilligan confirmed that Lalo, a heavy from "Breaking Bad" who was referenced among the drug cartel characters but never seen on screen, is finally ready for his close-up. "F— yeah, Lalo," Gilligan said.” />
SPOILER ALERT: This story discusses key plot points from "Better Call Saul" Season 3.
There's a whole process we're going to have to unpack." At that point, it became clear that "Saul" had to establish a true foundation for how Jimmy became a sleazy defense attorney for "Breaking Bad" protagonist Walter White. we saw that this wasn't just (the story of) Saul Goodman in a different suit," said "Saul" supervising producer Gordon Smith. "He's a different guy. The turning point for "Saul" as a series came late in the first season as producers decided to expand the scope of Chuck and Jimmy's adversarial relationship. "Around the point we were discovering that Chuck might be moving against Jimmy …
Seehorn couldn't believe her good fortune when she first sat down for fittings with Bryan. "Jennifer came in and said 'I don't know how you're thinking about it but to me, there's something about Kim that makes her a little bit of an outsider, like Jimmy.' Tears were streaming down my face. "Conversations at fittings can often be about things that are body conscious — how can we make this woman attractive," Seehorn said. They talked about the character of Kim and what kind of wardrobe this scrappy, up-from-the-mailroom woman would wear. And she wasn't the type to change out her purse and jewelry every day. 'Oh, we're going to talk about a character.' " The two decided at that meeting that Wexler most likely bought mix and match outfits from Ross and Marshalls.
"Cowboy boots are something you have for a long time," said costume designer Jennifer Bryan. Introducing the boots is an example of how Bryan often has to "reverse engineer" items for the characters that fans know from "Breaking Bad." For "Saul," the boots need to be much newer-looking than they were on "Breaking Bad," she noted. The cowboy boots that Saul Goodman wore in "Breaking Bad" will be making their first appearance in "Saul" this season. It helps that "I know how things are going to end up looking," Bryan said.
Even though Wexler had only a line or two of dialogue in the "Saul" pilot, Seehorn was attracted to the role because it was clear that the character would have her own significant story. "She's not just ancillary" to McGill. "Kim is having her own journey," Seehorn said.
Now we're questioning whether she is making him better or is he corrupting her or does their morality meet in the middle? "Kim started off as the better angel of Jimmy McGill's nature. Jimmy McGill and Wexler's relationship has become increasingly complex as the series has evolved. It's just wonderful stuff," said Vince Gilligan, co-creator of "Better Call Saul" and creator of "Breaking Bad." Gilligan emphasized that he is not as directly involved in "Saul" for the fourth season and was eager to gush about the strong work done by "Saul" co-creator Peter Gould and the rest of the team for Season 4.
"It has a huge impact," says Rhea Seehorn, who plays Kim Wexler, a fellow lawyer and love interest of Jimmy McGill. How Odenkirk's Jimmy processes his grief at the loss of his brother is a key focus of the storytelling in Season 4. The older brother of Bob Odenkirk's Jimmy McGill/Saul Goodman character is definitely dead. Viewers last saw him sitting inside his burning house, wrapped up in an aluminium-coated blanket. There's no "Flash Gordon" maneuver coming for Chuck McGill.
A similar process with the show's hairstylist led to Wexler's ever-present  ponytail. "I wanted her to be no-nonsense," Seehorn said. "It became it's own entity." It just had to do with being pragmatic." For so many women, "you find the hairdo that works and then it's 'Great, we're done for like a decade,' " Seehorn said. "It started to get more tightly coiled when she started to get more tightly coiled," Seehorn said. The ponytail has since become a barometer of Wexler's mood. "It had nothing to do with denying femininity.